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REVIEW: ‘Wuthering Heights’ adaptation delivers on gothic aesthetic, falls into clickbait trap
The opening sequence of Emerald Fennell’s film adaptation of “Wuthering Heights” is filled with stress, discomfort and a loud Charli xcx song. That’s where the…
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REVIEW: ‘The Murder on the Links,’ a mystery that just misses par
Grace Woelfel appreciates how ‘The Murder on the Links’ excels and shows us where it falls short.
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RANKED: The 10 best movies of 2025
Usually to preface a list of my favorite movies of the year, I would set the stage by positively highlighting the entire year in film.…
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REVIEW: The Neighbourhood’s ‘(((((ultraSOUND))))))’ perfectly recaptures their nostalgic indie-pop of the early 2010s
Executive Director Abby Madsen Reviews The Neighborhood’s “(((((ultraSOUND))))).”
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REVIEW: ‘Wicked: For Good’ doesn’t live up to the first film — much less its stage roots
Senior CME Kevin Lynch gives us his review of “Wicked: For Good.”
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REVIEW: The Grinch steals Christmas and my heart at Children’s Theatre Company
Grace Woelfel gives her review of the Children’s Theatre Company’s “How the Grinch Stole Christmas!”
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REVIEW: ‘Purple Rain’ musical has splashes of brilliance, but feels incomplete
Senior CME Miles Schiffer reviews the debut of ‘Purple Rain’ at the State Theatre.
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REVIEW: ‘Fibs & Friends’ is the perfect mix of stand-up and conversation
Executive Director Abby Madsen shares her review of Conor Wood’s “Fibs & Friends” tour.
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TCFF: Indigenous stories find platform, power in film
Senior CME Kevin Lynch share his experience watching the powerful documentaries “The Doctrine” and “Clear Sky” at Twin Cities Film Fest.
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TCFF: ‘Rental Family’ sells it with sentimentality
Senior CME Kevin Lynch gives us his review of Hikari’s “Rental Family” from the penultimate day of Twin Cities Film Fest.
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